The band’s monicker is something of a mystery to me. What does it mean? Did they drop an ‘n’ accidentally? Were they actually drunk when they invented the monicker and hence… well, you understand.
This Russian-based band believes itself to be “modern metal.” Fine, call yourself whatever nonsensical, meaningless or abstract label you wish, but is it any good? The answer mostly is ‘niet.’ There are the old cliché clean vocals mixed with growls. The good old K&F (Keyboards & Female Vocals) and the standard-issue final track, appropriately named Tears here that have the shrieking menstruating woman, er, proving her worth. My Role is a Russian foray into the world of slow and acoustic intros showcasing the band’s sensitive and hurt feeling. Incidentally, the songs are in the band’s mother tongue. The band has picked an English album title this time around, but its previous releases carried Russian titles. The pits of the album, however, are reached on The Loop Of World Creation. It features the band’s attempt at modernity and for bad measure throws in a clone keyboard of dummy burger and a clone of Poptera’s guitar sound. For my money, there probably are no two worse bands in the world than Pantera and Dimmu Borgir this side of Metallica so a special hatred and disdain goes to this terrible track.
With all that said, why is this a 40/100 and not a 0/100 or similar? The album has several isolated redeeming elements. First, the guitars can be impressive and on occasion quite listenable. The Wolf has a dual guitar harmony that is quite fine. My Role has a soaring solo and an impressive bass sound. The title has a worthy guitar lick. Such moments and a good sound are interspersed throughout the album.
The problem with Druknroll and bands of its ilk is that in its quest to be different and original they stray too far from the realm of fine taste and appeal and go where they should not.

Ali “The Metallian” (


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